Unfortunately, the studio I was in doesn’t have 5 volt trigger output of any sort. Since the sampler is mono, and I had to re-sample drums that spanned multiple tracks, the trigger function had to be significantly more accurate then the touch of my finger.įortunately, the RDS has a trigger input that is intended to take a standard 5 volt pulse signal from other samplers. The samples had to be accurately recorded and then played within just a few milliseconds of accuracy. The largest potential technical difficulty was triggering the recording and playing of the samples. The sampler just didn’t do a clean job of it. This actually was theoretically fine with me, because I wanted a bit of compression on my drums and instruments. Sadly, this translates to a mere 48 decibels of dynamic range. ![]() It has a bandwidth of 14 KHz, and 8 bits of depth. The RDS 7.6 is the best of 1987 technology, and thus, by definition, sucks. The looping procedure I used was based entirely around the DigiTech RDS 7.6 delay/sampler. So, I decided to take a trip back to 1987. ![]() I was told/ordered (for a class assignment) that I was to use ProTools as a tape deck only, and couldn't use its' looping functions. ![]() ![]() So, I was in a situation recently where I had to use an analog work-flow in a predominantly loop-based track.
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